The Beauty of Maps
Dates: April 19th-22nd, 2010
Country of Origin: United Kingdom
Presenter: Denis Lawson (aka: Wedge Antilles from Star Wars)
Time: Approx 30 minutes
Web Site: The Beauty of Maps
The Beauty of Maps is a four-episode BBC Four documentary series. It explores cartography not merely as a tool for navigation. It is also a form of art, cultural expression, and historical insight. First broadcast on BBC Four in April 2010, each 30-minute installment uses a single historic map. This map serves as a lens through which to examine broader themes in the development of cartography. It also highlights the complex interplay between art and geographical representation.
Series Overview: Concept and Structure

At its core, The Beauty of Maps departs from traditional cartographic documentaries that emphasize technical progression or survey history. Instead, it frames maps as aesthetic objects imbued with cultural, political, and epistemological meaning. The series was created alongside the British Library’s “Magnificent Maps” exhibition. Its purpose was to reveal the stories behind iconic cartographic works. It explores how these works show and shape the societies that produced them.
Each episode centers on one pivotal map or corpus of maps, supported by archival materials, sketches, journals, and expert testimony. The series highlights that maps, especially historic ones, were created with intentions that extend far beyond objective measurement. These maps were canvases of ideology, propaganda, and artistry.
Episode Breakdown
1. Medieval Maps: Mapping the Medieval Mind
This episode examines the Hereford Mappa Mundi, a monumental medieval map that juxtaposes geographical knowledge with cosmological and religious imagery. The Hereford map is more than a navigational tool. It reveals how medieval Europeans conceptualized the world in moral and spiritual terms. It serves as an encyclopedia of known lands, mythical realms, the Biblical past, and the human condition itself.
2. City Maps: Order out of Chaos
The second program examines urban mapping. It focuses on successive depictions of London. These depictions show changing ideas about the city’s rationality and identity. The episode illustrates how maps order human space. Maps influence how people perceive urban life. This ranges from William Morgan’s post-Great Fire survey to John Rocque’s highly detailed 1746 plan. Contemporary artistic interpretations also play a role.
3. Atlas Maps: Thinking Big
The spotlight turns to the Golden Age of atlases in the 17th century. It focuses on figures like Mercator and the enormous Klencke Atlas. Maps from this era are portrayed as technical achievements. They are also monumental artistic objects. These maps are lavish, symbolic representations that helped define early modern science, exploration, and imperial ambition.
4. Cartoon Maps: Politics and Satire
The final episode expands the definition of cartography to include satirical and political maps — ephemeral yet potent visual commentaries. Maps range from grotesque caricatures of states to whimsical depictions of political dynamics. This installment emphasizes that maps are not neutral documents. They can persuade, ridicule, and articulate public sentiment.
Narrative and Thematic Ambition
The series succeeds in repositioning maps as artifacts of cultural history. Mapmaking is not purely scientific. The Beauty of Maps demonstrates that maps are deeply human products. They show the values, anxieties, and aesthetics of their times. It encourages viewers to appreciate the artistry inherent in cartography. It also inspires them to see maps as narrative devices with intrinsic stories to tell.
Crucially, the documentary avoids simple chronological progression. It uses thematic exploration instead. The film spotlights how mapping practices intersect with ideas of power, identity, and representation. This ranges from medieval theological worldviews to modern political satire.
Critical Appraisal
Strengths
1. Rich Visual and Intellectual Appeal
The series is perfect for enthusiasts of cartography and visual culture. It provides an abundance of historical maps. It also includes artifacts and insightful interpretation. The focus on aesthetics, the “beauty” in maps’ artistry, is a refreshing departure from conventional technical histories.
2. Accessibility to General Audiences
The episodes are tightly paced and visually engaging. They do not need specialized knowledge of cartographic techniques. This makes the topic approachable for non-experts. It still rewards those with deeper interests.
3. Reflective and Interdisciplinary
The series situates maps within broader cultural contexts. It also considers historical contexts. Topics include religion, urbanization, empire, and humor. This interdisciplinary approach enriches the narrative and places cartography within the broader history of ideas.
Limitations
1. Depth vs. Breadth
With only four episodes, the series necessarily limits the depth with which it can treat its subjects. Each episode introduces compelling themes. Yet, aficionados seeking exhaustive technical detail or extensive historiographical analysis will find the coverage relatively cursory.
2. Limited Critical Engagement with Cartographic Power
The series gestures toward themes of political influence and representation. Nonetheless, it delves deeper into how power shapes cartographic truth. The series could benefit from a deeper exploration of how power shapes cartographic truth. It could more thoroughly explore the impact of power on cartographic truth. The series’ critical interrogation in this aspect could be more pronounced. Some discussions, especially relating to provocative political mappings, are suggestive rather than deeply analytical.
3. Episodic Structure
The lack of a unifying presenter or narrative voice across episodes can feel less cohesive. This format is stylistically liberating. Yet, it is less cohesive compared to other BBC documentary traditions. Viewers interested in a sustained analytical arc might find the segmented arrangement fragmentary.
Reception and Legacy
Audience reception appears generally positive among niche viewership; the show’s IMDb score sits comfortably in the moderate range (around 7.3/10), and fan commentary from map communities praises the visual richness and thematic ambition.
The Beauty of Maps occupies a unique place in broadcast cartographic media. It is not as widely known as flagship BBC historical documentaries. Still, it has enduring appeal for those interested in the visual culture and intellectual history of maps.
Conclusion
The Beauty of Maps is an engaging documentary series. It is visually compelling as it re-imagines cartography. This re-imagining presents cartography as a dynamic intersection of art, history, and culture. Its greatest achievement lies in its ability to make maps resonate as expressive works. Maps are often taken for granted as functional artifacts, but they are historically significant works of visual storytelling. The analysis is not exhaustive in technical or critical aspects. Nevertheless, it remains a valuable and inspiring exploration. It shows how maps shape and are shaped by human thought and creativity.